sábado, 29 de septiembre de 2012

Baekdal.com (2 сообщения)

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  • Made with iPhone 5: All Up to You! - (by @baekdal)

    My friends over at The Studio in Your Pocket are at it again. You might remember Anna Elizabeth James and Michael Koerbel's earlier work. They were some of the first people to create movies shot and edited entirely on the iPhone.

    But now that the iPhone 5 is out, Anna and Michael decided to have a bit of fun with it. The result is a musical with a surprising punchline. I won't tell you what it is because you can see it for yourself below. And as an bonus, you get to see what Siri really looks like (hint: she's hot).

    (via The Studio in Your Pocket)

    I just love it.

    I'm also amazed how they managed to find a location where the nearest gas station was 118 miles away... while still having 3G access, and being able to film fudgesicles in the desert heat. (Michael told me that they went through a lot of them for that shot :))

    Here is another fun factoid about it. They came up with this idea, planned, filmed, and edited the movie in just four days... all using the iPhone 5. That's the magic of filmmaking in the era of iPhones!

    As Anna told me the other day:

    It's just amazing what you can do now. Nothing can stop the passionate storyteller. As long as you put the REAL work in, you can do anything.

    You can indeed!

    Earlier work

    Back in 2010, they created the highly popular "Apple of My Eye".

    Later they created the amazing web series "Goldilocks", which is a movie shot with the iPhone but feels almost like Bourne Identity.

    Note: See all the episodes here.

    Both of them have also been involved in several other projects. In 2011, they won a Porsche competition with heartwarming: "It's a Magical Life". And Michael was hired to create the latest Porsche commercials.

    Michael also stunned the crowd when instead of an expensive video camera, he used an iPad 2, to cover the premier of "The Kennedys".

    Anna has been working on a superb TV show call "Diary of a Teenage Nobody", and she is currently pitching the pilot to sponsors and other interested parties. While I cannot show it to you yet, let me just tell you that it is a very emotional story of what it's like being a quiet teenager.

    If you are thinking about sponsoring a TV show and your target market is teenagers, you should give Anna a call! It's definitely worth it.



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  • Why do we Need Newspapers Again? - (by @baekdal)

    The very first article I read this week was one over at the Guardian, titled: "A 2-a-month levy on broadband could save our newspapers", in which they suggested:

    Baekdal Plus: Read the rest of this article in Baekdal Plus



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miércoles, 26 de septiembre de 2012

Baekdal.com (2 сообщения)

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  • Can you build Social at Scale? - (by @baekdal)

    About a month ago I was contacted by Jeremy Epstein, from Sprinklr, and he asked if I was interested in contributing a short post to book about social media at enterprise scale. That was a very interesting topic, so I agreed...and now it's out.

    Introducing: Best Practices for Enterprise Social Media Management...from the Dream Team

    The book is packed with tips and insights from an impressive lineup of great people, along with bonus content from Sprinklr.

    People like: Chris Brogan, Jason Falls, Joseph Jaffe, David Meerman Scott, David Armano, Rohit Bhargava,Mitch Joel, Peter Shankman, Mack Collier, Michael Brito, Jay Baer, Edward Boches, Ann Handley,Nilofer Merchant, Ted Coine, David Weinberger, Shelly Palmer, Mark Earls, Renee Blodget, Augie Ray, Brett Petersel, Ted Rubin, Sarah Evans, Jeff Bullas, Jay Baer, Amy Vernon, Matt Dickman, Venkatesh Rao, Richard Stacy, Hugh MacLeod, Doc Searls ... and yours truly.

    It's divided into five sections:

    1. It's Time to Start Thinking SocialScale
    2. Are you READY to be SocialScale? Organization, Tools & Tactics
    3. SocialScale Organizational Models
    4. Content & Conversation to be SocialScale
    5. Branding in a SocialScale World

    Download the book today! It's 68 pages long, and completely free. And let me know what you think about it over at my Google+ post.

    More to come?

    I wanted to say much more than what I could in this book, so next month I plan write more about this very topic, expanding upon what it means to be social at enterprise scale.

    Stay tuned for more!



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  • MySpace is Back, Baby... - (by @baekdal)

    I'm going to say something completely outrageous now... but Myspace is back, baby... and it looks amazing. (did I just say that??)

    I admit I'm not entirely sure if I have woken up in some kind of parallel universe, or if I'm still just asleep having a weird dream, because I was sure MySpace was something that would never, ever be cool again. But then PulsenGame alerted me to this video:

    And just look at it. Not only does it look amazing, but it has all the connectedness of what a modern social network should be about. And it has the niche element around music that enables it to differentiate itself from Facebook and Google+.

    It's brilliant.

    So... will this work? Will this bring back MySpace? No... not really.

    The problem is that while it's beautiful, fully featured, and all that, it lacks a reason for existing. It doesn't fill a need, nor does it have some kind utility that it can be used for. At least not one that is strong enough to make a difference.

    It's like the Microsoft Zune. It was a beautiful system, with amazing features, good payment plans... and completely irrelevant.

    What MySpace needs to do is to get in touch with Spotify. Imagine what Spotify would be like if it was based on the new MySpace interface and the music community around it. It would be an instant hit for both companies.

    MySpace would get a reason for existing, and an utility (a music playing platform) to connect around. Spotify would be able to turn themselves into a social force on their own (instead of being a slave to Facebook, where Facebook keeps 95% of the social effect).

    Spotify is trying to expand with Spotify apps, which so far seems to be a failure because it's too much work for artists to create an app for just Spotify... and it's too limiting. But by mixing Spotify with the new MySpace, the entire experience turn into this expanded artist+connected+social+party+friends universe.

    It would be the perfect fit.

    Head over to my Google+ post to comment and discuss this article.



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lunes, 24 de septiembre de 2012

Baekdal.com (2 сообщения)

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  • Modern Analytics for Subscription Based Media - (by @baekdal)

    The world of analytics is in the beginning of a fundamental shift. In the past, we all just looked at the level of traffic and the number of page views. However, now the digital world is becoming the dominant platform, we realize that those numbers mean very little.

    Baekdal Plus: Read the rest of this article in Baekdal Plus



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  • iPhone 5, Not an Entirely New Design - (by @baekdal)

    Earlier I wrote the article Apple is the New Porsche 911 in which I compared Apple's evolution of design to that of the Porsche 911. Same overall concept and design since 1973, but with much improved technology within.

    And that is exactly what the new iPhone 5 is about. Much improved technology, but with the same overall design.

    The problem is that Apple is trying to make us believe that this is a completely new design. When you see the official product page, they say "All new design" and on the page, "Creating an entirely new design meant inventing entirely new technology" ...what new design?

    So here is the comparison. The iPhone 5 is slightly taller, slightly thinner, and has a black bezel instead of an aluminum one. But the design of not only the iPhone but also iOS is exactly the same.

    This is why people are disappointed about Apple. They are trying to make the iPhone appears as it's something it is not. The iPhone 5 is amazing when you look at the hardware, the camera, and the technology. But Apple is not creating entirely new designs

    Jonathan Ive said: "It took an incredible effort to do this."

    Sure it did. I'm sure your hardware people worked extremely hard. But Jonathan ...you made it slightly larger and slightly thinner, that's it! That's not design, that's engineering.

    Please Apple, learn from Porsche. They are not trying to make people believe that they have created an entirely new design. Instead they take pride in the fact that they have reused a design that defines the essence of a sports car. Porsche highlight how they have refined the simplest form possible.

    When Apple tries to make you believe that the iPhone 5 is an entirely new design, they sound like a used-car salesman trying to sell that old car as if it's the latest shape.

    The other thing about this event was the new iPod Nano. It's beautiful (and designed) but it's the lowest model Apple creates. So I tweeted "If Apple is smart they will set the price at $29", and the reason I said this was that the basic Kindle is $69. If the basic iPod was $29, Apple would totally dominate the market ...totally!! And they would get all the doubters into the Apple universe as well.

    But then they announced that the price was $149 ...which is just insane. The Kindle Fire HD is only $199, same as the Nexus 7, and here Apple is trying to sell you the most basic iPod, which has almost no features, at $149.

    Will people pay that? Probably ...but there is a growing discontent about Apple's ridiculously high prices. People are starting to realize that Apple makes a huge profit. This is why Android is winning. Apple is starting to look really greedy.

    It is short-term thinking. Optimize your profit to the point where people just cannot take it anymore. The new iPod Nano looks amazing, and granted it's about the same as a pair of jeans from a high-end fashion retailer, but it has almost no features. It has no camera, and no app store. It can only do music, videos (on a 2.5" screen??), podcasts and radio ...and then, of course, the Nike Fitness app. But that's it.

    I'm sorry Apple, but $149 for that is just ...greedy.

    Head over to my G+ post to discuss and comment this article.



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domingo, 9 de septiembre de 2012

Baekdal.com - Forcing Google to Pay For Links to Old Media? - (by @baekdal)

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  • Forcing Google to Pay For Links to Old Media? - (by @baekdal)

    You have probably heard about the new legislation that is being proposed in Germany in which a bunch of old newspapers have lobbied the Government to impose a link tax. Or rather they want to force Google and other aggregators to pay a license fee if they show a headline of an article with the link in their search results. And now the French wants to do the same.

    I had decided not to comment on this because the whole idea is just too silly, but too many of my friends in my publishing circles are actually thinking this might be a good idea.

    So here goes...

    What would the digital natives do?

    One of the big problems with old media is that they simply do not understand the digital world. In the old world, content is being republished, and the act of republishing disconnect the reader from the source.

    So, it's entirely reasonable to ask other newspapers to pay a license fee to reprint stories ...including shorter excerpts, because again, the old world disconnect people from the original story.

    The digital world, of course, doesn't work that way. In fact, it's exactly the opposite. In the digital world republishing is seen as a bad practice because you never want to disconnect people. You want to maintain the connection and then enhance it with relevance and convenience.

    And this is where the link comes in. It does exactly the opposite of the old news services. It doesn't take news, disconnect the audience, and then give it to others. It facilitates a connection back to the original article.

    The old newspapers simply do not understand this simple concept. They still live in a world where there is only publishing and syndicated republishing. The link is neither of those.

    A simple way to look at this is just to observe the actions of the digital natives. How do you think a sites like Huffington Post, Mashable, Techcrunch, The Verge, Gawker, and many others managed to become so big?

    Did they do it by trying to prevent people from linking and asking Google to pay a license fee?

    No, of course not, because that would be silly. The link is what created them. The link is what fuels their growth. The link is what brings people back. Without the link, these media sites wouldn't exists today.

    So when we look at the digital natives, having others link to them is their most important asset.

    For instance, take a look at MediaGazer or Techmeme, which are news aggregation sites that take the headline and intro text to articles around the web and use that to create a site with the most important headlines.

    The old media hate this because they say they are stealing their traffic. These are the type of sites that the old media want to either shutdown or force into paying a license fee. They say sites like Mediagazer is profiting on their content (which is true).

    But then look at the behavior of the digital natives. When someone at GigaOm, The Next Web, or The Verge writes an article, they alert Mediagazer themselves.

    Here is a tweet from Matthew Panzarino, one of the editors from The Next Web.

    Note: When you add "Tip Techmeme" to a tweet, Techmeme will credit you if it's posted.

    The old media simply do not understand what is going on here. The digital natives are not just accepting but also actively embracing link aggregators. They know the power of the link.

    It makes no sense to try and block it, or ask Techmeme or Google to pay a fee. The digital natives want them to link to them, because that what's helps them grow.

    And we only have to look at the economics to see which strategy is the best one. The old media are in decline while the digital natives are skyrocketing.

    Google doesn't need the old newspapers

    Another problem with this is the old media still believe that the world couldn't exist without them, including Google.

    A couple of weeks ago, I wrote: "Note to publishers: If you think Google is evil for linking to you, change your robot.txt file ...but wait, you want that free traffic?"

    They think that with these laws they can force Google to give them both a lot of free exposure and traffic, and get them to pay a licence fee for the 'privileges'. What they don't realize is that Google doesn't need them.

    If this law is enacted, Google (and the other news aggregators) will simply drop them from the search listings, and people wouldn't know the difference. The old media no longer have the monopoly of news. In fact, its role is tiny compared to all the other sources out there.

    And deep down, the old media know this, because otherwise they would already be be blocking Google for linking to them.

    BTW: I also wrote about this in "We Can Save Newspapers by Destroying The Web"

    What is media?

    The third problem is more profound. The proposed law defines media companies as ...well.. the old establish media. A definition that no longer makes any sense to use.

    And they define linking to these media companies from digital media companies, which is also defined around the old concept of media aggregators.

    But what about Facebook, Twitter, and Google+? Should Facebook be forced to pay old media companies whenever a person posts a link on their personal profiles? Or what if Coca Cola links to an article on the New York Times on their Twitter profile? Should Twitter pay the media company for that?

    What if a person create a summary of an event over at Storify, should Storify be forced to pay a license fee to each old media company their users link to?

    This law has nothing to do with the world we live in today. This is purely old media protectionism. It doesn't scale, nor does it even make sense once we look beyond the outdated definitions.

    We now live in the connected world, and everyone is linking to anyone. Including the newspapers (at least I hope they do when they reference other people's content).

    It's the same when we look at the other end, the ones who receive the money. Who should get paid? Only the media companies who used to do print? ...or anyone who publishes online?

    Should a German blogger be paid too? What about links to brands who produce unique content?

    Again, it doesn't scale because the entire concept is based on the idea that these old media companies are unique. So if a German newspaper writes a story about a golf tournament, it's suddenly special and should be licensed. But if a blogger wrote the story it isn't.

    In fact, with this law, shouldn't the newspapers also be required to pay a license fee to Google when they quote and link to something on Google's blog? Why should Google pay newspapers for linking to them, if the newspaper are free to link to Google without paying anything?

    Here, for instance, is a page from the Guardian incorporating bookmarks to other sites as part of their local coverage. Why should only Google pay for linking to other sites? Shouldn't the Guardian pay a license fee to every single one of those sites as well?

    We see the same problem with all these new proposed media laws. In Australia, one politician suggested that media companies should be prevented from publishing (for a time) if they deliberately told a lie.

    Now, I agree that they are many problems with deceptive media reporting, but why should this only apply to the media. What about bloggers? What about posting something on a Facebook page?

    Why doesn't the law include those channels as well? The answer is simply that the old media people still believe they have the monopoly over the 'media' output in the world. Something that is simply no longer true.

    In the connected world, everyone can be a journalist ...and everyone is.

    Enacting laws that define the media as it was in the 1980s helps none. If we are to create new media laws, at least base them on the media world as it exists today.

    For instance, in "We Can Save Newspapers by Destroying The Web" I suggested that any site should be allowed to implement a content ruleset for linking, quoting, republishing, and aggregating, and allow the old media people to block the connected world as much as they wanted.

    Like this:

    But it wouldn't hurt the connected world, because we could just implement it like this:

    This would solve the problem ...but as I wrote in that article: "Of course, I hope we do not have to go this far. It's a bit extreme to pass a new copyright law to show the old media that it would just kill them faster..."

    Head over to my G+ post to comment and discuss this article.



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